Carter, T. (1993) ?‘In Love’s harmonious consort?? Penelope and the interpretation of Il ritorno d’Ulisse in patria’, Cambridge Opera Journal, 5(01). Available at: https://doi.org/10.1017/S0954586700003852.
Carter, Tim (1990) ‘L’incoronazione di Poppea’, Early Music, 18(1). Available at: http://www.jstor.org.ezproxy.auckland.ac.nz/stable/3127864?seq=1#page_scan_tab_contents.
Dell’Antonio, A. (1996) ‘Il divino Claudio: Monteverdi and lyric nostalgia in fascist Italy’, Cambridge Opera Journal, 8(03). Available at: https://doi.org/10.1017/S0954586700004754.
Eco, U. and Weaver, W. (1995) The island of the day before. 1st U.S. ed. New York: Harcourt Brace & Co.
F. S. H. (no date) ‘Monteverde’s “Orfeo” at Oxford’. Available at: https://search-proquest-com.ezproxy.auckland.ac.nz/docview/7831784/67524E4216FE4AA6PQ/2?accountid=8424.
FABBRI, P. (1993) ‘NEW SOURCES FOR ?POPPEA?’, Music and Letters, 74(1), pp. 16–23. Available at: https://doi.org/10.1093/ml/74.1.16.
Gordon, B. (2004) Monteverdi’s unruly women: the power of song in early modern Italy. Cambridge: Cambridge University Press.
Heller, W. (1999) ‘Tacitus Incognito: Opera as History in “L’incoronazione di Poppea”’, Journal of the American Musicological Society, 52(1), pp. 39–96. Available at: https://doi.org/10.2307/832024.
Heller, W. (2008) ‘Venice without the Carnival: Pierre Audi’s Monteverdi Cycle on DVD’, The Opera Quarterly, 24(3–4), pp. 293–306. Available at: https://doi.org/10.1093/oq/kbp015.
Howes, F. (1924) ‘Notes on Monteverde’s “Orfeo”’, The Musical Times, 65(976). Available at: https://doi.org/10.2307/913262.
Kurtzman, J (1991) ‘L “INCORONAZIONE DI POPPEA” - AN OPERA IN A PROLOGUE AND 3 ACTS - MONTEVERDI,C, CURTIS,A, EDITOR’, Notes, 48(1), pp. 276–279. Available at: http://www.jstor.org.ezproxy.auckland.ac.nz/stable/941832?seq=1#page_scan_tab_contents.
Kurtzman, J.G. (1999) The Monteverdi Vespers of 1610: music, context, performance. Oxford: Oxford University Press.
Kurtzman, J.G. (2013) Approaches to Monteverdi: aesthetic, psychological, analytical and historical studies. Farnham: Ashgate.
McClary, S. (2002) Feminine endings: music, gender, and sexuality. Minneapolis, MN: University of Minnesota Press. Available at: http://quod.lib.umich.edu.ezproxy.auckland.ac.nz/cgi/t/text/text-idx?c=acls;idno=heb06265.0001.001.
McClary, S. (2004) Modal subjectivities: self-fashioning in the Italian madrigal [electronic resource]. Berkeley: University of California Press. Available at: http://hdl.handle.net/2027/heb.05544.0001.001.
Monteverdi, C., Badoaro, G. and Alessandrini, R. (2007) Il ritorno d’Ulisse in patria: tragedia di lieto fine in un prologo e tre atti. Kassel: Bärenreiter.
Muir, E. (2007) The culture wars of the late Renaissance: skeptics, libertines, and opera. Cambridge, Mass: Harvard University Press. Available at: http://ebookcentral.proquest.com/lib/auckland/detail.action?docID=3300387.
?‘ORFEO? AND ?PELL?AS?’ (1939) Music and Letters, XX(4), pp. 381–398. Available at: https://doi.org/10.1093/ml/XX.4.381.
Rosand, E. (1991) Opera in seventeenth-century Venice: the creation of a genre. Berkeley: University of California Press.
Rosand, E. (2007) Monteverdi’s last operas: a Venetian trilogy. Berkeley: University of California Press. Available at: http://quod.lib.umich.edu.ezproxy.auckland.ac.nz/cgi/t/text/text-idx?c=acls;idno=heb09011.0001.001.
Schneider, M.T. (2012) ‘Seeing the Empress Again On Doubling in L’incoronazione di Poppea’, Cambridge Opera Journal, 24(03), pp. 249–291. Available at: https://doi.org/10.1017/S0954586712000286.
Sternfeld, F.W. (1991) ‘Reviews’, Journal of the Royal Musical Association, 116(2), pp. 307–311. Available at: https://doi.org/10.1093/jrma/116.2.307.
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Whenham, J. (1986) Claudio Monteverdi, Orfeo. Cambridge: Cambridge University Press.
Whenham, J. (1997) Monteverdi, Vespers (1610) [electronic resource]. Cambridge: Cambridge University Press. Available at: http://hdl.handle.net/2027/heb.07627.0001.001.
Whenham, J. (2014) ‘Monteverdi’s “Selva Morale E[T] Spirituale” (1641): Some Anomalies Explored Through the Five Exemplars’, Music and Letters, 95(4), pp. 511–549. Available at: https://doi.org/10.1093/ml/gcu108.
Whenham, J. and Wistreich, R. (2011) The Cambridge companion to Monteverdi [electronic resource]. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CCOL9780521875257.
Whenham, John (no date) ‘Monteverdi’s “Selva morale e[t] spirituale” (1641): Some Anomalies Explored through the Five Exemplars’. Available at: https://muse-jhu-edu.ezproxy.auckland.ac.nz:9443/article/565473.
