[1]
J. Whenham and R. Wistreich, The Cambridge companion to Monteverdi, vol. Cambridge companions to music. Cambridge: Cambridge University Press, 2011 [Online]. Available: http://dx.doi.org/10.1017/CCOL9780521875257
[2]
E. Muir, The culture wars of the late Renaissance: skeptics, libertines, and opera, vol. The Bernard Berenson lectures on the Italian Renaissance. Cambridge, Mass: Harvard University Press, 2007 [Online]. Available: http://ebookcentral.proquest.com/lib/auckland/detail.action?docID=3300387
[3]
S. McClary, Feminine endings: music, gender, and sexuality. Minneapolis, MN: University of Minnesota Press, 2002 [Online]. Available: http://quod.lib.umich.edu.ezproxy.auckland.ac.nz/cgi/t/text/text-idx?c=acls;idno=heb06265.0001.001
[4]
B. Gordon, Monteverdi’s unruly women: the power of song in early modern Italy, vol. New perspectives in music history and criticism. Cambridge: Cambridge University Press, 2004.
[5]
S. McClary, Modal subjectivities: self-fashioning in the Italian madrigal. Berkeley: University of California Press, 2004 [Online]. Available: http://hdl.handle.net/2027/heb.05544.0001.001
[6]
P. FABBRI, ‘NEW SOURCES FOR ?POPPEA?’, Music and Letters, vol. 74, no. 1, pp. 16–23, 1993, doi: 10.1093/ml/74.1.16.
[7]
Whenham, John, ‘Monteverdi’s “Selva morale e[t] spirituale” (1641): Some Anomalies Explored through the Five Exemplars’ [Online]. Available: https://muse-jhu-edu.ezproxy.auckland.ac.nz:9443/article/565473
[8]
J. G. Kurtzman, Approaches to Monteverdi: aesthetic, psychological, analytical and historical studies, vol. Collected studies. Farnham: Ashgate, 2013.
[9]
Kurtzman, J, ‘L “INCORONAZIONE DI POPPEA” - AN OPERA IN A PROLOGUE AND 3 ACTS - MONTEVERDI,C, CURTIS,A, EDITOR’, Notes, vol. 48, no. 1, pp. 276–279, 1991 [Online]. Available: http://www.jstor.org.ezproxy.auckland.ac.nz/stable/941832?seq=1#page_scan_tab_contents
[10]
Carter, Tim, ‘L’incoronazione di Poppea’, Early Music, vol. 18, no. 1, 1990 [Online]. Available: http://www.jstor.org.ezproxy.auckland.ac.nz/stable/3127864?seq=1#page_scan_tab_contents
[11]
F. W. Sternfeld, ‘Reviews’, Journal of the Royal Musical Association, vol. 116, no. 2, pp. 307–311, Jan. 1991, doi: 10.1093/jrma/116.2.307.
[12]
W. Heller, ‘Tacitus Incognito: Opera as History in “L’incoronazione di Poppea”’, Journal of the American Musicological Society, vol. 52, no. 1, pp. 39–96, Apr. 1999, doi: 10.2307/832024.
[13]?
‘ORFEO? AND ?PELL?AS?’, Music and Letters, vol. XX, no. 4, pp. 381–398, 1939, doi: 10.1093/ml/XX.4.381.
[14]
F. S. H., ‘Monteverde’s “Orfeo” at Oxford’ [Online]. Available: https://search-proquest-com.ezproxy.auckland.ac.nz/docview/7831784/67524E4216FE4AA6PQ/2?accountid=8424
[15]
F. Howes, ‘Notes on Monteverde’s “Orfeo”’, The Musical Times, vol. 65, no. 976, Jun. 1924, doi: 10.2307/913262.
[16]
J. A. Westrup, ‘Monteverde’s “Orfeo”’, The Musical Times, vol. 66, no. 994, Dec. 1925, doi: 10.2307/912044.
[17]
W. Heller, ‘Venice without the Carnival: Pierre Audi’s Monteverdi Cycle on DVD’, The Opera Quarterly, vol. 24, no. 3–4, pp. 293–306, Jun. 2008, doi: 10.1093/oq/kbp015.
[18]
A. Dell’Antonio, ‘Il divino Claudio: Monteverdi and lyric nostalgia in fascist Italy’, Cambridge Opera Journal, vol. 8, no. 03, Nov. 1996, doi: 10.1017/S0954586700004754.
[19]
M. T. Schneider, ‘Seeing the Empress Again On Doubling in L’incoronazione di Poppea’, Cambridge Opera Journal, vol. 24, no. 03, pp. 249–291, Nov. 2012, doi: 10.1017/S0954586712000286.
[20]
T. Carter, ?‘In Love’s harmonious consort?? Penelope and the interpretation of Il ritorno d’Ulisse in patria’, Cambridge Opera Journal, vol. 5, no. 01, Mar. 1993, doi: 10.1017/S0954586700003852.
[21]
E. Rosand, Monteverdi’s last operas: a Venetian trilogy. Berkeley: University of California Press, 2007 [Online]. Available: http://quod.lib.umich.edu.ezproxy.auckland.ac.nz/cgi/t/text/text-idx?c=acls;idno=heb09011.0001.001
[22]
E. Rosand, Opera in seventeenth-century Venice: the creation of a genre. Berkeley: University of California Press, 1991.
[23]
J. G. Kurtzman, The Monteverdi Vespers of 1610: music, context, performance. Oxford: Oxford University Press, 1999.
[24]
J. Whenham, Monteverdi, Vespers (1610), vol. Cambridge music handbooks. Cambridge: Cambridge University Press, 1997 [Online]. Available: http://hdl.handle.net/2027/heb.07627.0001.001
[25]
J. Whenham, Claudio Monteverdi, Orfeo, vol. Cambridge opera handbooks. Cambridge: Cambridge University Press, 1986.
[26]
U. Eco and W. Weaver, The island of the day before, 1st U.S. ed. New York: Harcourt Brace & Co, 1995.
[27]
C. Monteverdi, G. Badoaro, and R. Alessandrini, Il ritorno d’Ulisse in patria: tragedia di lieto fine in un prologo e tre atti. Kassel: Bärenreiter, 2007.
[28]
J. Whenham, ‘Monteverdi’s “Selva Morale E[T] Spirituale” (1641): Some Anomalies Explored Through the Five Exemplars’, Music and Letters, vol. 95, no. 4, pp. 511–549, Nov. 2014, doi: 10.1093/ml/gcu108.