1.
Whenham J, Wistreich R. The Cambridge companion to Monteverdi [Internet]. Vol. Cambridge companions to music. Cambridge: Cambridge University Press; 2011. Available from: http://dx.doi.org/10.1017/CCOL9780521875257
2.
Muir E. The culture wars of the late Renaissance: skeptics, libertines, and opera [Internet]. Vol. The Bernard Berenson lectures on the Italian Renaissance. Cambridge, Mass: Harvard University Press; 2007. Available from: http://ebookcentral.proquest.com/lib/auckland/detail.action?docID=3300387
3.
McClary S. Feminine endings: music, gender, and sexuality [Internet]. Minneapolis, MN: University of Minnesota Press; 2002. Available from: http://quod.lib.umich.edu.ezproxy.auckland.ac.nz/cgi/t/text/text-idx?c=acls;idno=heb06265.0001.001
4.
Gordon B. Monteverdi’s unruly women: the power of song in early modern Italy. Vol. New perspectives in music history and criticism. Cambridge: Cambridge University Press; 2004.
5.
McClary S. Modal subjectivities: self-fashioning in the Italian madrigal [Internet]. Berkeley: University of California Press; 2004. Available from: http://hdl.handle.net/2027/heb.05544.0001.001
6.
FABBRI P. NEW SOURCES FOR ?POPPEA? Music and Letters. 1993;74(1):16–23.
7.
Whenham, John. Monteverdi’s ‘Selva morale e[t] spirituale’ (1641): Some Anomalies Explored through the Five Exemplars. Available from: https://muse-jhu-edu.ezproxy.auckland.ac.nz:9443/article/565473
8.
Kurtzman JG. Approaches to Monteverdi: aesthetic, psychological, analytical and historical studies. Vol. Collected studies. Farnham: Ashgate; 2013.
9.
Kurtzman, J. L ‘INCORONAZIONE DI POPPEA’ - AN OPERA IN A PROLOGUE AND 3 ACTS - MONTEVERDI,C, CURTIS,A, EDITOR. Notes [Internet]. 1991;48(1):276–9. Available from: http://www.jstor.org.ezproxy.auckland.ac.nz/stable/941832?seq=1#page_scan_tab_contents
10.
Carter, Tim. L’incoronazione di Poppea. Early Music [Internet]. 1990;18(1). Available from: http://www.jstor.org.ezproxy.auckland.ac.nz/stable/3127864?seq=1#page_scan_tab_contents
11.
Sternfeld FW. Reviews. Journal of the Royal Musical Association. 1991 Jan;116(2):307–11.
12.
Heller W. Tacitus Incognito: Opera as History in ‘L’incoronazione di Poppea’. Journal of the American Musicological Society. 1999 Apr;52(1):39–96.
13. ?
ORFEO? AND ?PELL?AS? Music and Letters. 1939;XX(4):381–98.
14.
F. S. H. Monteverde’s ‘Orfeo’ at Oxford. Available from: https://search-proquest-com.ezproxy.auckland.ac.nz/docview/7831784/67524E4216FE4AA6PQ/2?accountid=8424
15.
Howes F. Notes on Monteverde’s ‘Orfeo’. The Musical Times. 1924 Jun 1;65(976).
16.
Westrup JA. Monteverde’s ‘Orfeo’. The Musical Times. 1925 Dec 1;66(994).
17.
Heller W. Venice without the Carnival: Pierre Audi’s Monteverdi Cycle on DVD. The Opera Quarterly. 2008 Jun 1;24(3–4):293–306.
18.
Dell’Antonio A. Il divino Claudio: Monteverdi and lyric nostalgia in fascist Italy. Cambridge Opera Journal. 1996 Nov;8(03).
19.
Schneider MT. Seeing the Empress Again On Doubling in L’incoronazione di Poppea. Cambridge Opera Journal. 2012 Nov;24(03):249–91.
20.
Carter T. ?In Love’s harmonious consort?? Penelope and the interpretation of Il ritorno d’Ulisse in patria. Cambridge Opera Journal. 1993 Mar;5(01).
21.
Rosand E. Monteverdi’s last operas: a Venetian trilogy [Internet]. Berkeley: University of California Press; 2007. Available from: http://quod.lib.umich.edu.ezproxy.auckland.ac.nz/cgi/t/text/text-idx?c=acls;idno=heb09011.0001.001
22.
Rosand E. Opera in seventeenth-century Venice: the creation of a genre. Berkeley: University of California Press; 1991.
23.
Kurtzman JG. The Monteverdi Vespers of 1610: music, context, performance. Oxford: Oxford University Press; 1999.
24.
Whenham J. Monteverdi, Vespers (1610) [Internet]. Vol. Cambridge music handbooks. Cambridge: Cambridge University Press; 1997. Available from: http://hdl.handle.net/2027/heb.07627.0001.001
25.
Whenham J. Claudio Monteverdi, Orfeo. Vol. Cambridge opera handbooks. Cambridge: Cambridge University Press; 1986.
26.
Eco U, Weaver W. The island of the day before. 1st U.S. ed. New York: Harcourt Brace & Co; 1995.
27.
Monteverdi C, Badoaro G, Alessandrini R. Il ritorno d’Ulisse in patria: tragedia di lieto fine in un prologo e tre atti. Kassel: Bärenreiter; 2007.
28.
Whenham J. Monteverdi’s ‘Selva Morale E[T] Spirituale’ (1641): Some Anomalies Explored Through the Five Exemplars. Music and Letters. 2014 Nov 1;95(4):511–49.